Rosalind Nashashibi’s The Painter and the Deliveryman


The open-endedness saves it. The making of the paintings, the delivery of both package and pee: it all passes through human hands. The same goes for the child’s drawing and the signature of the arts administrator on the DHL form. The indexicality of these acts points towards the other end of the camera, where a non-fictional artist and curator plotted these two videos featuring their own alter egos…

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