It’d be funny to say that Konrad Smolenski is someone you will soon have heard of. Already a pretty big deal throughout Europe, he had the honor of representing Poland at the Venice Biennale this year and made quite the lasting impression. The exhibition, titled Everything Was Forever, Until It Was No More situated two handcrafted bells, a large standing wall of broadband speakers, and a third element consisting of a wall comprised of familiar yet nondescript square metal doors within the exhibition space.
NY Arts Magazine Daily Update 